Journal Entry No. 10

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In a world where technology can create images in seconds, I still believe there is something important about putting pencil to paper.

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For me, drawing has always been part of the journey.

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Before a tattoo becomes part of someone's body, it begins as an idea. That idea needs to be explored, adjusted, and developed. Drawing by hand gives me the opportunity to spend time with the composition and think carefully about how every element will work together.

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When I draw, I am not simply creating an image.

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I am thinking about movement.

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I am thinking about placement.

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I am thinking about the flow of the body.

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A dragon may need to turn in a certain direction. A koi may need to move with the natural shape of an arm or leg. Flowers, wind, water, clouds, and background must all work together to create one complete composition.

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The process of drawing allows me to work through those decisions.

Over the years, I have spent countless hours studying traditional imagery, creating woodblock-inspired designs, and developing my own understanding of composition. Every drawing is another opportunity to learn.

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That is why I still value the sketchbook.

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A sketchbook is more than a collection of finished ideas. It is a record of thought, experimentation, mistakes, discoveries, and progress.

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Some drawings may never become tattoos.

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Others may develop over time and eventually become part of a sleeve, backpiece, or larger bodysuit.

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But every drawing contributes to the process.

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I believe the hand carries something that cannot always be rushed.

The pressure of the pencil, the movement of the line, and the time spent working through an idea all become part of the creative journey.

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After more than thirty years, I still draw because I still have more to learn.

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Every page is another beginning.

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Every design is another problem to solve.

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And every sketch is another step forward on a journey that is never finished.

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— Horiyume

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Authentic Japanese Irezumi, preserving tradition, honoring culture, creating legacy.